Tamron Aff004n700 Sp 90mm F/28 Di Macro 11 Vc Usd for Nikon 90mm Is Macro Lens for Nikon Review

SLRgear Review
September one, 2016
past Andrew Alexander

Tamron's latest entry to macro/portrait photography is the 90mm ƒ/2.8Di Macro ane:1 VC USD SP (Model F017). That's a big name for a lens from a big name in lenses. Tamron made a great outset impression way back in 1979 with its 90mm ƒ/ii.5 macro (52B) in the Adaptall mountain. The line of 90mm Macros that followed is legendary.

The new Tamron 90mm ƒ/2.8 SP Macro lens was released in February 2016, in Nikon and Canon lens mounts. The Sony version will follow at a later date, minus the Vibration Control characteristic, of form, equally that is congenital into the Sony cameras. All focus from infinity downwards to a 1:1 (life-size) ratio. The lens was designed to fit full-frame sensors but will piece of work every bit well on sub-frame (APS-C) sensors with a crop factor of 1.5x for Nikon and i.6x for Catechism, resulting in effective fields of view of approximately 135mm and 146mm, respectively.

The Tamron 90mm ƒ/2.8 Macro ships with the HF017 lens hood, accepts 62mm filters, and is available now for around $650.

Note: Nikon bodies display f-stops in "effective f-values". When the focus of a macro lens is brought into the "macro range" there is a drib in the "effective f-value" and this appears in the display as a smaller aperture opening. In our tests, the "effective f-value" of this lens at the i:i ratio dropped to v.half-dozen. At other macro scales we noted f-stops of 3.three, iii.viii and 4.five. Catechism and Sony cameras do non interpret f-stops in this mode.

Sharpness
The Tamron 90mm ƒ/ii.8 Di Macro VC USD SP produces tack-sharp results without much stopping down. On our full-frame torso we see first-class results even wide open at ƒ/2.8, with only very calorie-free corner softness: stopping down to ƒ/5.6 gets results every bit sharp every bit the camera can manage. Diffraction limiting begins at ƒ/eleven, simply isn't noticeable until ƒ/22; using the lens at its narrowest discontinuity of ƒ/36 isn't advisable as generalized softness across the frame actually impairs image sharpness.

Chromatic Abnormality
The Tamron 90mm ƒ/2.eight does very well in terms of preventing Chromatic Aberration, with negligible results in our testing across its range of apertures.

Shading (''Vignetting'')
On our total frame Nikon D800e at ƒ/2.eight, there was about 7/10 of a stop of falloff from the heart. It improved sharply by ƒ/5.6 and was gone by ƒ/8. On our sub frame D7100, vignetting was negligible.

Distortion
At that place was no noticeable distortion in our re-create of this lens. Macro lenses are known for having low distortion as they are ofttimes used in re-create work where no distortion can exist tolerated.

Autofocus Operation
The Tamron 90mm ƒ/two.8 uses an electric (Ultrasonic Drive) motor for focusing taking near one second to slew from closest focus to infinity, much faster than the previous (non-VC) version of this lens we reviewed. On our exam bodies, focus acquisition and tracking seemed precise and certain-footed, and small changes in focus happen very apace. Fastened 62mm filters won't rotate during focusing.

Macro
Of course, this is where the Tamron 90mm ƒ/2.8Di Macro ane:1 VC USD SP really shines. The lens has a minimum close-focusing distance of 30cm, or effectually a foot, from the focal plane: when you consider the lens is effectually four and a half inches long, this means you can park your subject field about vi and a one-half inches away from the end of the lens. The magnification at this distance is 1:i, though equally we noted at the first, the effective aperture at the 1:1 ratio is significantly reduced from ƒ/ii.8 (it operates more like a ƒ/5.6). Tamron has added a few features to the lens which macro photographers volition look, which nosotros'll cover in the Build Quality section, next.

Build Quality and Handling
Information technology's worth noting that we didn't review the previous upgrade to the Tamron 90mm macro lens, the Tamron 90mm ƒ/2.8 Di Macro 1:one VC USD SP (F004). The lens previous to that, we did - the Tamron 90mm ƒ/two.8 Di Macro 1:1 SP AF (model 272). The real changes to the lens occurred in the transition from the 272 to the F004: the optical layout was completely redesigned, the focus motor changed to the new Ultrasonic Drive, and vibration control was added. If anything, the latest design (model F017) is a refinement to that blueprint, calculation a fluorine blanket and updating the cosmetic styling to the current Tamron flavor.

Tamron's Vibration Control system for image stabilization has undergone an upgrade as well. The new Floating System provides enhanced imaging operation by changing the spatial relationships of element groups as the focus moves from infinity to macro mode, and the length of the lens barrel remains constant. XY-Shift compensation utilizes an accelerometer to ameliorate VC (Vibration Control), purporting to give you steadier off-tripod results.

While the previous F004 version of the lens featured wet and dust resistance, the F017 claims to have improved on this. Moisture-Proof and Dust-Resistant Structure (prophylactic seals on all switches, the metallic lens mount and between the focusing ring and the lens barrel) broaden your outdoor shooting in foul weather condition.

The pattern of the lens offers a large manual focusing band, and three operating switches. The commencement switch activates or deactivates Vibration Control (VC) image stabilization. The second activates or deactivates autofocus. The tertiary switch limits the focusing range into 3 categories: the full range (betwixt 0.3m and infinity), an intermediate range (between 0.5m and infinity) and the macro range (between 0.3m and 0.5m).

The manual focusing ring is a generous 1 ane/2 inches in width, with deep safety ribs for texture. The ring will plough forever in either direction, with soft stops to allow yous know you've reached either the minimum close distance or infinity distance. The focusing calibration is noted in both feet and meters and displays the macro reproduction ratio.

Our testing with the Vibration Control system bears out Tamron'due south claim of 3.five stops of manus-property comeback, though Tamron does indicate in its literature that the bear upon of VC is reduced when the lens is focused closer to its maximum reproduction ratio. Check out our IS Test tab for more data.

Alternatives

Tamron 90mm ƒ/2.8 Di Macro ane:1 VC USD SP ~$479
Autonomously from the new cosmetic styling, there aren't a lot of differences between the specifications of these two lenses, leading one to believe the functioning would be quite similar. However, the new F017 version of the lens offers improved atmospheric condition sealing, a fluorine lens blanket, and compatibility with Tamron's TAP-in console.

Nikon 105mm ƒ/two.8G IF ED AFS VR ~$900
It's been a while since we had this lens in our test lab - we didn't even have a total frame digital camera to examination with at that point - and its performance shows that lenses have improved significantly since then. Its performance at ƒ/two.eight is not corking, while stopping down to ƒ/five.6 offers the best results. However, information technology is equally tolerant to CA, corner shading and distortion as the Tamron, and offers like operation for image stabilization.

Canon EF 100mm ƒ/2.8L Macro IS USM ~$850
The Canon 100mm macro has been upgraded a chip more than recently (if you count 2009 as contempo) simply it offers excellent performance, at least on par with the Tamron.

Sigma 105mm ƒ/2.viii EX DG OS HSM Macro ~$620
The Sigma 105mm offers a similar macro experience to the Tamron, at a similar cost. It likewise offers optical image stabilization (Bone). It's not as tolerant to chromatic aberration, just it is excellently sharp, specially when stopped down. Unfortunately, it'south not compatible with Sigma's USB dock (like to Tamron's TAP-in console).

Conclusion
With a retail price difference of effectually $200 between the F004 and the F017, many users may wonder if there's a reason to buy one over the other. When you compare the specifications, you see that the the two are almost identical, and nosotros had managed to test the F004, my approximate is that you'd see almost identical performance, too. Apart from the cosmetic update, at that place are some applied reasons: the F017 offers better weather sealing, and it is uniform with the Tamron TAP-in console system, which allows the photographer to update firmware and enter customized setups into the lens.

On its ain merits, the Tamron 90mm ƒ/2.8 (F017) is an fantabulous lens, offering tack abrupt images unhindered by chromatic abnormality, corner shading or baloney. Its macro features are excellent, as is its price signal, meaning that if you lot're looking for a macro lens to add to your handbag, you really can't get wrong with this one.

Product Photos

Gallery Images

Sample Photos

The VFA target should give you a good idea of sharpness in the center and corners, also as some thought of the extent of butt or pincushion distortion and chromatic aberration, while the Still Life subject may help in judging dissimilarity and color. We shoot both images using the default JPEG settings and manual white balance of our exam bodies, then the images should exist quite consistent from lens to lens.

Equally appropriate, we shoot these with both full-frame and sub-frame bodies, at a range of focal lengths, and at both maximum aperture and ƒ/eight. For the ''VFA'' target (the viewfinder accuracy target from Imaging Resource), we also provide sample crops from the middle and upper-left corner of each shot, and then you can quickly get a sense of relative sharpness, without having to download and inspect the full-res images. To avoid space limitations with the layout of our review pages, indexes to the examination shots launch in separate windows.

Tamron 90mm f/2.8 Di MACRO 1:1 VC USD SP

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Source: https://www.imaging-resource.com/lenses/tamron/90mm-f2.8-di-macro-1:1-vc-usd-sp-model-f017/review/

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